• BA OS 08 Cadmium by Edward Barber & Jay Osgerby
  • BA OS 08 Cadmium by Edward Barber & Jay Osgerby
  • BA OS 08 Cadmium by Edward Barber & Jay Osgerby
  • BA OS 08 Cadmium by Edward Barber & Jay Osgerby
  • BA OS 08 Cadmium by Edward Barber & Jay Osgerby
  • Cadmium — a paint colour developed by Barber Osgerby for Blēo
  • BA OS 08 Cadmium by Edward Barber & Jay Osgerby
  • BA OS 08 Cadmium by Edward Barber & Jay Osgerby
  • BA OS 08 Cadmium by Edward Barber & Jay Osgerby
  • BA OS 08 Cadmium by Edward Barber & Jay Osgerby
  • BA OS 08 Cadmium by Edward Barber & Jay Osgerby
  • BA OS 08 Cadmium by Edward Barber & Jay Osgerby
  • Cadmium — a paint colour developed by Barber Osgerby for Blēo
  • BA OS 08 Cadmium by Edward Barber & Jay Osgerby
    BA OS 08 Cadmium by Edward Barber & Jay Osgerby
    Saturated acid yellow. Cadmium reproduces the vividly intense colour of lichen found on Anglesey, a small island off the coast of Wales. It is a brilliant acid yellow that gives an instant jolt of energy. This is a Clear Colour — a highly pigmented, intense shade that may appear transparent after the first coat.
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    The Colour in Projects

    1. The World’s Smallest Flagship Store, Copenhagen
      The World’s Smallest Flagship Store, Copenhagen

      The World’s Smallest Flagship Store, Copenhagen

    Combine With

    • ST SC 02 Arita by Studio Stefan Scholten
      ST SC 02 Arita by Studio Stefan Scholten
      from 40,00 DKK
    • ST SC 01 Brut by Studio Stefan Scholten
      ST SC 01 Brut by Studio Stefan Scholten
      from 40,00 DKK
    • DA RY 02 Studio by Daniel Rybakken
      DA RY 02 Studio by Daniel Rybakken
      from 40,00 DKK
    Portrait of design-duo Barber Osgerby for Scandinavian colour and design house, Blēo.

    About Still Life by Barber Osgerby

    Edward Barber and Jay Osgerby founded their East London studio in 1996. For more than two decades their work has challenged the boundaries of design,...

    Discover Still Life by Barber Osgerby

    Still Life by Barber Osgerby

    If colour brings life to spaces and objects, a specific dynamism is generated when two colours are set alongside one another. The 18-shade palette of Barber Osgerby’s Still Life derives from the use of such pairings and adjacencies in art: where a painter selects one colour for a form and a second for its shadow. Still Life is also an expression of the way in which these chromatic interactions are impacted by the character of the ambient light, according to the time of day and the cycle of the seasons.

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