If colour brings life to spaces and objects, a specific dynamism is generated when two colours are set alongside one another. The 18-shade palette of Barber Osgerby’s Still Life derives from the use of such pairings and adjacencies in art: where a painter selects one colour for a form and a second for its shadow. Still Life is also an expression of the way in which these chromatic interactions are impacted by the character of the ambient light, according to the time of day and the cycle of the seasons.
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