If colour brings life to spaces and objects, then something more dynamic emerges when two colours meet — creating tension, harmony, and depth through adjacency. Still Life, an 18-shade palette by Barber Osgerby, is inspired by this very interaction — drawing from the painter’s instinct to choose one colour for a form and another for its shadow. The palette explores how these relationships evolve, influenced by ambient light, shifting with the time of day and the rhythm of the seasons. It’s a study in contrast and complement — a reflection of how colour behaves not in isolation, but in context, and how the atmosphere of a space is shaped by the subtleties between tones.
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BA OS 01 Titanium by Edward Barber & Jay Osgerby
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BA OS 02 Madder by Edward Barber & Jay Osgerby
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BA OS 03 Vermillion by Edward Barber & Jay Osgerby
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BA OS 04 Pyrrol by Edward Barber & Jay Osgerby
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BA OS 05 Zinc by Edward Barber & Jay Osgerby
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BA OS 06 Pale Umbre by Edward Barber & Jay Osgerby
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BA OS 07 Ochre by Edward Barber & Jay Osgerby
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BA OS 08 Cadmium by Edward Barber & Jay Osgerby
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BA OS 09 Emerald by Edward Barber & Jay Osgerby
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BA OS 10 Chromium Light by Edward Barber & Jay Osgerby
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BA OS 11 Chromium by Edward Barber & Jay Osgerby
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BA OS 12 Celadon by Edward Barber & Jay Osgerby
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BA OS 13 Cyprus by Edward Barber & Jay Osgerby
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BA OS 14 Manganese by Edward Barber & Jay Osgerby
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BA OS 15 Perylene by Edward Barber & Jay Osgerby
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BA OS 16 Ultramarine by Edward Barber & Jay Osgerby
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BA OS 17 Moss by Edward Barber & Jay Osgerby
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BA OS 18 Phtalo by Edward Barber & Jay Osgerby
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