• GO HA 12 Aluminium Shadow by Gonzalez Haase
GO HA 12 Aluminium Shadow by Gonzalez Haase

The aluminium surface reflects light with a sharp, metallic quality, creating crisp and defined reflections. The shadow tone draws from the sky's quietest moments, where the aluminium absorbs the fading light, resulting in a deep, cool blue that feels strong and grounded.

Why paint from Blēo?
— Our colours are highly pigmented; some palettes include colours with specially developed pigments
— The quality of our paints are best in class. Our world-leading visioniares would not accept anything else
— Handcrafted in Copenhagen, Denmark
— Our colours are extraordinary developed, each colour goes through an exacting process of testing, refinement, and quality control, before it emerges in its truest form - and a colour our visionaries will approve and put their name to
— Water based, eco-friendly, non-toxic, low-VOC, and EU Ecolabel certified
— Odourless, also when applied
— Our ULTRA MATTE and MATTE paints are very sturdy and easy to clean with a damp cloth
— We fit the packaging to your needs. You can choose Blēo's paint-in-box or a traditionel bucket
— Our bucket is available in 3 L, 5 L and 10 L
— Our paint-in-box is available in 2 L and 5 L

Our hand painted samples and 80 ML paint samples are available in our MATTE finish. If you have a wish for another finish, please email us: bleo@bleocollective.com.

Sheen:
Packaging:
Size:
Regular price

1 L of our paint covers approximately:

— 9 m2, when painted in one layer
— 4,5 m2, when painted in two layers
— 3 m2, when painted in three layers 

We recommend to use primer beneath your paint, when necessary. Read our guide here on when to use primer. Otherwise, two layers of paint are enough for the main part of our colours, unless otherwise stated above, in our product description. 

Still in doubt? Write us an email at bleo@bleocollective.com and let us help you.

Metropolitan Melange by Gonzalez Haase AAS

The Metropolitan Melange palette by Gonzalez Haase AAS is based on a correlation between the blue sky and its reflections in contemporary architectural elements. Mirror images and opalescent glass, satin stainless steel and matte aluminium, absorption properties of concrete—the chosen materials are intricately connected to today's architecture and are deeply embedded in Gonzalez Haase’s design language. By analysing the phenomena of reflection and absorption of the blue sky on these materials, Gonzalez Haase has developed a palette of 18 colours ranging from vibrant sky blues to warm concrete greys.

The process of describing each material's spectrum has been conducted methodically by selecting three tones for each material: the base colour, the shadow tone, and a highlight. These tones are intended to interact with the natural sky.

Founded by Pierre Jorge Gonzalez and Judith Haase in 1999, Gonzalez Haase AAS is a Berlin-based studio with principal practices in architecture, scenography and lighting. Early work with Richard Gluckman and Robert Wilson for the Watermill Center in New York became the first of many highly regarded projects with contemporary artists, curators and collectors. Keeping the interplay between light and architecture at the forefront of their designs, Gonzalez Haase have gained a noted reputation for their spatial concepts. Their work includes major artwork installations, luxury retail interiors, residential extensions, and conversions for industrial and art-related spaces.

Photo by Robert Rieger.